Read: Colin Trevorrow will return to direct Jurassic World 3īoseman’s Black Panther recently became the highest-grossing solo superhero movie of all time and Holland’s Spider-Man: Homecoming made more than $150 million more than Doctor Strange, but it can be argued that Cumberbatch is the bigger star of the three, and hence his position.
Of these stars, only Cumberbatch, Holland and Boseman have had their own solo movies, but the billing is in reverse order - at least as far as theatrical grosses are concerned. The actors include Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwick Boseman, Paul Bettany, and Elizabeth Olsen. The second tier of the poster reveals further insights. But Thor’s last solo adventure, Ragnarok, became his most successful solo film yet.īut it’s even more interesting to note that Evans has been relegated to number four, sandwiched between Mark Ruffalo and Scarlett Johansson - two actors who don’t even have their own franchises within the Marvel Cinematic Universe. Normally, this spot has been occupied by Chris Evans, whose Captain America movies have displayed steady growth, culminating with Civil War’s $1.2 billion gross. It’s interesting to note that after Robert Downey Jr - who is of course top billed on the posters - Chris Hemsworth receives second billing. Read: Avengers Infinity War new trailer: Black Widow delivers a chilling threat, Thor wants epic team up A recent article on Vulture titled ‘Analyzing the crazy, complicated credits of Avengers: Infinity War’ did exactly that. With over a dozen A-list stars that have to be accommodated in one movie, the actors’ billing on the posters reveal interesting insights into the legal aspects of movie marketing. While certain characters are overshadowed by others, it seems that Iron Man is the biggest draw all over the world. Both posters offer new arrangements as to where (and how big) certain superheroes are in relation to others. If you care to see more, click below to follow my vector adventures.Over the last two days, new Japanese and Chinese posters for Avengers: Infinity War were released. The final magazine cover thanks to the Creative Director at Empire Magazine. Below is the first evolution for the stylized Empire Branding but I felt it detracted too much from the original and explored a less extreme interpretation but smarter version leveraging the lens flares off the Gauntlet and adding them up top to the letters.īelow is a click through video of the actual vector created in Adobe Illustrator + Wacom Intuospro. Round 2 feedback received we now were in the home stretch and was given the green light to play with their Branding- which rarely ever happens in this industry. So we quickly went into Round 2- where I delivered a spectrum of options pertaining to lighting, mood and facial expression of Thanos. Round 1 feedback was received, we now had an approved pose. Since this illustration is intended to be the cover, I removed the text explorationĪnd delivered the first round with an exploration in Thanos' expression and background.
What the Creative Director appreciated most about the Iron Man equation was the color, the sense of motion and the "Deco-Pop" style I had created for myself over 5 years ago. Magazine Cover Design Processīelow is my " Iron Man Equation" from 2013 and the basis that inspired theĬreative Director over at Empire Magazine to start a dialogue and get the project rolling in time to announce the evil super villain from the new Avengers: Infinity War movie. Below you can learn a bit more about the creative process behind it.įor as long as I can remember I always admired Empire Magazine and as a result I included it to my "Bucket List" of Brands I would be honored to collaborate with and have fun. The cover features no one else but the super villain THANOS and it also rocks a super colorful, I dare say 80s graphic design look. Well, we are happy that it's not there anymore because he created a fantastic magazine cover design for the upcoming movie Avengers: Infinity War. One of his dreams was to collaborate with the Empire Magazine, as he said, it was in his bucket list. Orlando Arocena is a Mexican-Cuban-American vector artist and creative director based in New Haven, USA.
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